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Sister Poets speaking in woma-lingo tongues

WORD is a force and within its etymology, has a force as mysterious and mythical as the cycles of life presented in a woman’s body. Womanhood is a tribe with two sides that push and pull, drawing in and drawing out to balance between the physical and the ethereal. A woman is a S/WORD, slashing self-preservation to indulge creation into the path of continuity. Her voice is a lullaby that soothes kings before they wear crowns of authority and high handedness. Her voice of a weeping window burying her soldier sons. She is the hearth that feeds life a protective shell to glimpse its first experience of all earthly journeys. To discount a woman is to discount nature’s benevolence in its ever giving nurture. To disparage a woman is to spit at the hand of creation that give so much grace to a creature that births itself and other. In cerebrating womanhood, great poetry was birthed. No one can judge the emotions and wisdom within the words neither can accurate value be stamped authoritatively upon any piece, for all without fail deliver a universal truth about the plight of women in their journey of holding their divine portion in sustaining and carrying on the mantle of living. Great voices that speak ‘womalingo’ from WOWAWORDS recent entries delivered from their hearts and to other hearts. Ten pieces that speak as internationally as music does in its varied tones, tunes and crescendos from Caroline Akui of Kenya, Nelani Goonawardena from India and Anya Wikramanayake Sri Lanka, Colombo. Together We Rise -( Blurb by August Edition Guest Editor , Nancy Ndeke).

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Imagining Life after the Ravaging, Virulent COVID-19 Pandemic , A Special Journal.

WOMAWORDS LITERARY PRESS

The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS  Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will. Our world is charged. Our lives are changed. We embrace with yearning the better memories from our past. We are trapped in the present, making the best of it. We find it hard to envision a future undominated by this moment.  It was difficult to select just ten poems from among the many submitted. There was not one unworthy poem. I’m honored to read them, to read the bios and get introduced to some fine new-to-me…

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Imagining Life after the Ravaging, Virulent COVID-19 Pandemic , A Special Journal.

The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS  Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will. Our world is charged. Our lives are changed. We embrace with yearning the better memories from our past. We are trapped in the present, making the best of it. We find it hard to envision a future undominated by this moment.  It was difficult to select just ten poems from among the many submitted. There was not one unworthy poem. I’m honored to read them, to read the bios and get introduced to some fine new-to-me poets (whether or not selected for publication here), and to be chosen by Mbizo Chirasha to edit this edition of his heart-child, WOMAWORDS Literary Press. The edition goes up late. I offer my apologies to poets, to readers, and to Mbizo. The honor of this work came at a complex time for me. I had another zine to publish and also found myself dealing with a hospital stay and debilitating complications from chronic and catastrophic lung-and-heart health issues. Having said that there is nothing like poetry to help us heal the trauma of the catastrophic illnesses we may suffer individually or from the shared trauma of the current pandemic.

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Iconic Activist Chifamba has mastered the Art of Girl Child Empowerment .

The name  EKENIA T.CHIFAMBA  is a name that somewhat rattles the bone and marrow  of unrepentant , evil and dare-daring barbarians perpetuating sexual violence and emotional  abuse onto the lives of innocent and vulnerable  young women  and girls in both rural and urban settings.  In realizing the plight of the GIRLCHILD  in all sectors of life , political , social , moral and economical. The resilient Ekenia Chifamba established  SHAMWARI YEMWANASIKANA organization .True to it ,the  girlchild rights Maestro Chifamba is  blessing  and heartily friend of the GIRLCHILD in Zimbabwe , Africa and Abroad . For the past tiring  six years , she has relentlessly exposed  rape cases across the country, weeded out evil off our vulnerable communities .Chifamba embraced vulnerable/abused  young girls and rehabilitated their emotions and consciences into lives worth living .  A lot of  community interventions are being done in Zimbabwes various  settings of the country  to heal girls  from  emotional hate and  moral decadence perpetuated by crude cruel  killers of innocence .  Since the resumption of her organization ,  Chifamba has been received  with mixed feelings and contempt  by a society use  political and pseudo cultural vintage in covering up sin and vile for so many years . That did deter her to stop  effecting  her CALLING positively in touching the souls of weak  and the traumatized . Young women and girls’ deplorable plight was savagely neglected .Ekenia Chifamba became  the answer to  a lot of unanswered questions and has ridden on the impossible,  defying  all odds and  human obstacles to relieve  the girlchild from the bondage of retrogression and unchain them  from the yoke of sexual oppression , stigma, discrimination and emotional shattering .  SHAMWARI YEMWANASIKANA  promotes dialogue  among victims  , they promote education on girlchild rights  in rural villages  and down trodden settings, entrepreurship projects , arts and  other sustainable projects. Despite a myriad of  negative challenges , SHAMWARI YEMWANASIKANA has its own great success stories  .Currently ,they are  constructing a Girl Child Rehabilitation and Empowerment One Stop Centre . Alas ,the negating winds of the virulent , savaging , cantankerous COVID – 19 affected the completion of this great  habitat , sooner or later the Centre will be launched. To honor   her resilience , the immense contribution to vulnerable girls , victims of abuse and their communities , I have decided to  feature the profiles and activities  of SHAMWARI YEMWANASIKANA Organization and  its Founder /Executive Director Madame  Ekenia T.Chifamba. Chifamba is an Award winning girlchild rights activist ,Philanthropist,  Outstanding  global girlchild Projects leader  with a long , practical , active and reputable resume in  field of girlchild rights and other areas of human development. This  Feature Profile and Interview will be featured in AFRICA WRITERS CARAVAN , WOMAWORDS LITERARY PRESS , TIME OF THE POET REPUBLIC ,WORLDPULSE as a Special Journal .In my  closing of  this long but deserving blurb, I want to  heartily  say to  Madame Ekenia T.Chifamba thank you profoundly  for lighting the lanterns of peace ,for raising the flag of freedom and for speaking on behalf of the VULNERABLE and the VOICELESS-( Blurb by Mbizo CHIRASHA)

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Tsopotsa s Poetry talks Identity, Belonging and African Spirituality

TSITSI TSOPOTSA is a Zimbabwean born storyteller, Poet, Writer, Advocate of the Girl child and a Cultural Arts Activist. She ushers in a rare but captivating poetry writing style. Her new poetry beverage soothes the mind of the reader as it carefully flows with blood and warms the African readers soul. It is soul food to the audience. Tsopotsa  poetry speaks belonging, identity and African spirituality. Her new form of poetry is extraordinary in form and content. Reason and rhythm are special ingredients to this rare but sweet poetic refreshment. WOMAWORDS celebrates dexterity, reason and diversity with Poet Tsitsi Tsopotsa. Aluta Continua- WOMAWORDS eDitor.

 

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Inside # Hot Poetry Stew Pot with Cassandra Swan.

WOMAWORDS LITERARY PRESS is  rooted in  CREATIVITY , DIVERSITY and EXCLUSIVITY .Today we feature an extraordinary poet and  Wordsmith Par Excellence.  CASSANDRA SWAN is  a Versatile poetry and  literary artist .  An Accomplished Performances Poet with her writings  featured and performed  at home and abroad. Her writings are laced with spats of brevity and doses of  boldness. FEARLESS. Swan has won  several international poetry accolades and her writings have since  sparked dialogue , debate and criticism in  high political corridors , church as well as in the  global periphery. Her imagery is disinfects super power corridors from thuggery ,metaphors is the chlorine was the dirty laundry in church and streets. While the satire  is the acid burning corrupt fingers to cinder.  Currently her EPIC POEM“Candy Cotton Kid and the Faustian Wolf” a THEORY on the LIFE and SUICIDE of AMERICAN POET, SYLVIA PLATH has been accorded an opportunity to be choreographed  and featured at THE MARGOT FONTEYN BALLET ACADEMY , USA.

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POET LAUREATE JAMIE DEDES CALLS FOR SUBMISSIONS.

“The WOMAWORDS press June Edition is to be edited by our Poet Laureate and USA Associate to the WOMAWORDS Hall of Fame, Jamie Dedes.“The call is open to women poets from May 20 through June 20.“Ten poems and poets will be selected from the submissions, which should include a short third-person bio of thirty-to-sixty words and your photograph.“Submissions to be forwarded to BOTH Mbizo Chirasha womawordpress@gmail.com and cc’d Jamie Dedes at thepoetbyday@gmail.com”.G JAMIE DEDES is a Lebanese-American poet and free-lance writer. She is the founder and curator of The Poet by Day, info hub for poets and writers, and the founder of The Bardo Group, publishers of The BeZine, of which she was the founding editor and currently a co-manager editor with Michael Dickel. Ms. Dedes is the Poet Laureate of WOMAWORDS Press 2020 and U.S associate to that press as well. Her debut collection, “The Damask Garden,” is due out fall 2020 from Blue Dolphin Press.

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Inside the OpenTalk with Amazing Patricia Travis.

Amazingly,  WOMAWORDS continues Conversations with both prominent and rising women artists, activists and writers that inspire their communities through various projects. As per our principle, we value excellence, dexterity and prowess. We are overjoyed as usual to feature prominence and profile greatness. The WOMAWORDS eDitor, Mbizo CHIRASHA met with prolific Vision Therapist , prominent Mural  Artist and Poet PATRICIA TRAVIS, the most exciting about her artist gigs is versatility, she switches from being a poet to a musician  and fuses her writings with community intervention errands while she also use her Vision Therapist expertise to heal children and  the elderly who are visually impaired. WONDERFUL. We are gratified to welcome   you into the CONVERSATIONS STUDIO, Iconic human being Patricia Travis, Aluta Continua- blurb by WOMAWORDS eDitor, Mbizo CHIRASHA.

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Inside #Poetry Lounge with Publisher Emeritus Gloria Mindock.

Besides being a publisher, I am also a poet. Awards include the Ibbetson Lifetime Achievement Award, the Allen Ginsberg Award for Community Service, the 5th and 40th Moon Prize from Writing in a Woman’s Voice, numerous Pushcart Prize nominations, St. Botolph nomination, a Somerville Arts Council fellowship, and being selected as Poet Laureate in Somerville, MA for 2017 and 2018.Some of my other titles include being one of the USA editors for Levure Litteraire (France),editor of the Istanbul Literary Review/ILR (Turkey)from 2007-2011, editor and co-founder of the Boston Literary Review/BLuR from 1984-1994, co-founder of Theatre S. & S. Press, writer of plays, musicals, adaptations, performance art pieces, and being an actress.Author of 5 books of poetry, “ I Wish Francisco Franco Would Love Me” (Nixes Mate Books, Allston, MA), “Whiteness of Bone” (Glass Lyre Press, Glenview, IL), “Nothing Divine Here” (Cetinje, Montenegro), La Portile Raiului (Ars Longa Press, Romania) translated into the Romanian by Flavia Cosma, “Blood Soaked Dresses,” (Ibbetson St. Press, Somerville, MA), and my sixth collection of poetry called “Ash” is forthcoming by Glass Lyre Press.  Also the author of three chapbooks that have been published.